Tiptop Audio — HATS808
HATS808 Manual PDF
Using the Tiptop Audio HATS808 for Dense, Complex, and Hyper-Rhythmic Percussion in Eurorack
The Tiptop Audio HATS808 is a clone of the iconic TR-808 hi-hat voice, expanded for Eurorack with CV control and creative potential far beyond the original. If your aim is hyper-complex, densely layered percussive music—think extreme polyrhythms, polymeters, and intricate dynamic patterns—this module is a powerful building block.
Below, you’ll find advanced musical strategies and manipulation techniques to push the HATS808 deep into experimental rhythm realms:
1. Patch Foundations: Understanding the Voices
- CH (Closed Hat) & OH (Open Hat): Both are available simultaneously. Use separate rhythmic triggers for maximum overlap and "choke" interplay.
- Band-Pass OUT: Feed this to additional filters, wave folders, or VCAs for radically new textures.
- Resonance/Q Control: Turn up for metallic, noisy, or even pitched tones. CV can radically animate the timbre.
2. Sequencing for Hyper-Complex Rhythms
- Polyrhythms & Polymeters:
- Connect distinct, unsynchronized gate sequencers to CH and OH, each running different step lengths (e.g., 7 against 5, or 13 against 16).
- Patching two grids ensures the hats interact unpredictably, especially in how the choke circuit truncates OH decays.
- Clock Skewing/Time Signature Tricks:
- Sequence hats off odd divisions. Example: Clock CH with a /3 divider and OH with a /5 divider, both reset with different intervals.
- Or, employ rotating or logic-based sequencers (Ornament & Crime, Euclidean modules, etc.) for evolving, skipping rhythms.
3. Sound Animation: Unique, Punchy Percussive Timbres
4. Modulating Decay & Q for Textural Complexity
5. Advanced Choke Techniques
- Creative Choke Interactions:
- Program CH hits to “interrupt” long OHs for intentionally glitchy, stuttery hat lines.
- Disable choke with the PCB jumper for pure layered textures when needed.
6. Band-Pass Out as a Parallel Percussion Voice
- Send the Band-Pass OUT through another envelope/VCA/filter for a second, heavily processed “hat” to layer with the main CH/OH outs.
- Use this OUT as a percussive synth voice—mix back in for controlled chaos.
7. Feedback, Self-Patching, and Processing
- Mult the OUT or Band-Pass OUT back into your modular for feedback (through distorting preamps, filters, or LPGs).
- Use other percussion, radio noise, or field recordings as CV sources for VQ or Accent to add organic unpredictability.
Extra Tips
- Accent Trick: Use stepped random triggers on the ACCENT input (rather than just gates)—some hats “pop” and some are soft, creating micro-grooves.
- CV Animate Everything: Modulate as many parameters as possible, ideally sequenced or with random sources.
- Layering: Stack several HATS808s (or one HATS808 plus digital hat voices) for hyper-complex hi-hat percussion beds.
With creative clocking, accent modulation, aggressive filter resonance, and extreme gain/overdrive, the HATS808 can become a ferocious, living, and hyper-complex rhythm generator—perfect for pushing your Eurorack into new percussive territory.
Generated With Eurorack Processor