Forge TME — Vhikk X

Manual PDF

Creative Use Cases for Vhikk X in a Eurorack System

Vhikk X is a wildly versatile multi-algorithm sound source and processor that thrives on creative routing and unconventional patching. Below are several creative ideas to get the most out of Vhikk X in combination with other Eurorack modules—for both big and small systems.

1. Drone and Texture Engine + Generative Modulation

Pair Vhikk X with complex modulation sources (e.g., Make Noise Maths, Intellijel Quadrax, Mutable Instruments Marbles). Patch random or evolving envelopes/LFOs into Vhikk X’s FIELD, TIME, and MORPH CV inputs (using the built-in attenuverters).
Use Marbles or other random generators for generative droning and texture shifting—slow, evolving movements make the most of Vhikk’s parameter space.
Take advantage of Vhikk’s internal VCA and morphing capabilities for dynamic amplitude and spectral movement without external VCAs.

2. Stereo FX Island

Insert stereo audio from other modules (e.g., Morphagene, Looper/Granular Modules, stereo drum mixer) into Vhikk X’s stereo inputs.
Experiment with Vhikk’s unique algorithms as a destination or send-return FX module: use Vhikk’s onboard volume/gain to boost or tame inputs/outputs. Drive Vhikk for saturation—try overdriving the input for gritty tape-like effects.
Output to a 4MS Listen Four, Intellijel Mixup, or any stereo mixer for EQ and additional spatialization.

3. Algorithmic “VCO” with V/Oct Control

Use Vhikk’s BASIS input with a sequencer or pitch CV (calibrate Basis per the manual for V/Oct accuracy).
One sequencer lane or a keyboard module (e.g., Arturia Keystep, Intellijel Metropolix, Malekko Voltage Block) provides melodic or bass material that is uniquely shaped by Vhikk’s internal algos. Sequence or randomize between algorithm banks for morphing melodic timbres.
Dedicated pitch CV to BASIS, envelopes to MORPH/FORM, step-modulation of FIELD/TIME.
Add subtle post-processing with Natural Gate, WMD C4RBN, or wavefolders for even weirder modulation.

4. Feedback and Spectral Destruction Network

Patch Vhikk X’s output through a resonant filter (Make Noise QPAS, WMD SSF Stereo Dipole) and back into its own stereo input.
Use external VCAs (Intellijel Quad VCA) or feedback matrix mixers (Instruō Lion, Befaco Hexmix) to sculpt and control feedback.
Employ the VCA CV input to duck/shape feedback via gates/triggers, keeping things wild but under control.

5. Percussive/Glitch Source

Use sharp envelopes, triggers, and step CV (from ALM Pam’s New Workout or similar) to the VCA or FORM/TIME inputs for unusual percussion synthesis and glitch sequencing.
Sequence rhythmic modulation across the banks or toggle switches to “scan” across different patch/algorithm setups per step.
Process short percussive samples from Squarp Rample/1010 Bitbox through Vhikk for instant percussive weirdness.

6. Stereo Imaging/Spatialization Tricks

Take advantage of end-to-end stereo processing: pan L/R pre-Vhikk for evolving stereo movement by using a Doepfer A-134-2 or comparable stereo panner.
Patch Vhikk’s stereo outputs through stereo spatial/FX modules (Joranalogue Enhance 2, Happy Nerding FX Aid XL) for high-end imaging, spectral animation, or quadraphonic setups.

Experimental Tip:
Because of its soft-clipping and gain staging, Vhikk X excels in non-traditional roles—think of it as a morphable, CV-controllable analog-digital “black box” at the heart of live improvisation.

Try inserting Vhikk X into a sidechain loop with a compressor (e.g., Expert Sleepers Super Disting as sidechain comp) for dynamic breathing drones.
Use a CV randomizer or DIY voltage sources (contact mics, light sensors) to inject natural randomness into MORPH/TIME/FIELD and listen for emergent behaviors.

These suggestions are just a starting point; with its 36 algorithms and wild routing potential, Vhikk X rewards experimentation, especially in combination with multi-output modulation, cross-patched gates, or complex feedback matrices!

Generated With Eurorack Processor