Eris 4x4 Matrix Mixer Manual (PDF Link)
The Altered State Machines Eris 4x4 matrix mixer offers a wealth of creative patching possibilities thanks to its unique routing, DC coupling, and CV/audio capabilities. Here are some advanced and interesting ways you might use the Eris in your setup, along with relevant module recommendations:
How-To:
- Connect your primary oscillator(s) or voice(s) to the Eris inputs.
- Send the 4 outputs to four different effects modules (e.g., Make Noise Mimeophon, Mutable Instruments Beads, Strymon Magneto, or Erica Synths Fusion Delay).
- Return the effects' outputs to another mixer, or back to Eris’s Aux In.
- Use the matrix to blend dry/wet effects, create parallel processing chains, or even feedback mixes by routing effect outputs back to Eris inputs.
Result:
Complex, evolving textures and chained effects mixes—highly customizable send/return routing usually found in high-end consoles.
How-To:
- Patch Eris's outputs back into its own inputs to create a "no-input" mixer situation.
- Insert filters (e.g., Doepfer A-124 Wasp Filter), distortion units, or delays in between the feedback loops.
Result:
Self-generating drones, complex feedback tones, and experimental soundscapes reminiscent of old analog mixers used as sound sources.
How-To:
- Send up to four modulation sources (e.g., ALM Pamela’s Pro Workout, Make Noise Maths, Mutable Instruments Stages) into Eris inputs.
- Route and attenuate blends of these CV signals to four different destinations (oscillator pitch, filter cutoff, VCA, etc).
Result:
Highly dynamic, interwoven modulations, perfect for generative patches or animated sound design.
How-To:
- Route triggers/gates from different sequencers (e.g., Intellijel Metropolix, 4ms Quad Clock Distributor) or drum machines into Eris.
- Send blended, attenuated, or even overdriven signals to trigger/clock various drum voices (e.g., Noise Engineering Basimilus Iteritas Alter, Mutable Instruments Peaks).
Result:
Create composite or probability-based rhythms, hybrid percussion triggers, and morphing drum patterns.
How-To:
- Use Eris as a waveshaping signal processor for CV (by running LFOs/envelopes hot into x4 gain), or for overdriving and distorting audio.
- Route the distorted output into envelope followers (Doepfer A-119, Mutable Instruments Ears) for dynamic CV generation.
Result:
Responsive, highly distorted CV or audio signals that can turn subtle modulation into wild shapes or drive filters/VCAs unusually.
How-To:
- Use the aux channel and vactrol-based soft mute to bring in external gear, sidechain signals, or live input (vocal mic, external synth).
- Gently fade in/out sections or transitions live without clicks or pops.
Result:
A tactile, smooth-performance mixer solution for hands-on sets.
How-To:
- Integrate the Eris within a feedback chain; outputs from delays, reverbs (e.g., Strymon Magneto, Tiptop Z-DSP) are routed back into the mixer.
- Use the Eris gain stages to control the amount and type of feedback precisely.
Result:
Self-generating pads, endlessly evolving atmospheres, and new "instruments" created from feedback.
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