Certainly! Here’s a concise cheat sheet for the Mutable Instruments Plaits Eurorack module, ideal for quick reference and performance.
Note: This is based on the content above, not an official PDF. Official Mutable Plaits manual PDF link
| Label | Control | Description |
|---|---|---|
| A | Model Buttons & LEDs | Select Synthesis Model (2 banks × 8 models; LEDs show selection) |
| B | FREQUENCY | Coarse tuning (default: 8 oct, adjustable to 14 semitones via settings) |
| C | HARMONICS | Model-dependent timbre (details vary) |
| D | TIMBRE | Model-dependent texture/detail control |
| E | MORPH | Model-dependent adjustment (often morph/pulse width) |
| F | Attenuverters | For TIMBRE, FM, MORPH CVs—set modulation depth; when unpatched, controls from env |
| Jack | Type | Description & Range |
|---|---|---|
| MODEL CV | Input | Selects model. 0V to +5V (LEDs show current/CV) |
| HARM, TIMBRE, MORPH, FREQ CV | Input | Model parameter modulation, typically -5V to +5V, expect CV scaling varies by model |
| TRIG | Input | Gate/trigger (> 1.5V = trigger) – excites, envelopes, etc |
| LEVEL | Input | VCA/LPG/Accent (audio-rate OK); ~0V (closed) to +5V (open) |
| V/OCT | Input | Pitch CV, -3V to +7V for C0–C8 (1V/octave standard) |
| OUT | Output | Main audio output (10Vpp max typical, bipolar audio) |
| AUX | Output | Variant/sidekick/byproduct audio (10Vpp max typical) |
| Model | HARMONICS | TIMBRE | MORPH | AUX |
|---|---|---|---|---|
| Virtual Analog | Detuning | Pulse shape | Saw notch width | Hardsync sum waveform |
| Wavefolder | Waveshaper curve | Fold amount | Asymmetry | Alt wavefolder shape (Warps style) |
| FM Synthesis (2op) | Ratio | Mod. index | Feedback/Chaos | Suboscillator |
| Formants | F1/FM2 ratio | Formant freq | Formant width/shape | Filtered waveform type (filter morph) |
| Additive | Spectral bumps | Bump position | Bump width/shape | Hammond drawbars partials |
| Wavetable | Bank (A-D) | Row (brightness) | Column (varied) | 5-bit lo-fi output |
| Chords | Chord type | Inversion/transp. | Waveform select | Root note of chord |
| Speech | Vowel/Word crossfade | Species | Phoneme/Word segment | Pure vocal fold signal |
| Granular Cloud (Swarm) | Pitch randomization | Grain density | Grain overlap/duration | Sine grain variant |
| Filtered Noise | LP↔BP↔HP morph | Clock freq | Filter resonance | Dual BP filter, separation = HARM |
| Dust Noise | Freq randomization | Density | Allpass↔BP morph | Raw dust noise |
| Inharmonic String/Resonator | Material/inhar. | Brightness/density | Decay time | Exciter only (mini-Rings) |
| Kick Drum (Analog) | Attack/OD | Brightness | Decay | FM triangle drum synth |
| Snare Drum | Harm↔Noise balance | Drum mode balance | Decay | FM + noise-based snare |
| Hi-Hat (Analog) | Metal↔Noise | HPF cutoff | Decay | Ring-mod metal + clean VCA |
| Input | Range/Trigger |
|---|---|
| MODEL CV | 0–5V (mod selects from full model set) |
| HARM, TIMBRE, MORPH, FREQ CV | -5V to +5V typical, CV scaling varies |
| TRIG | >1.5V for trigger |
| LEVEL | 0–5V (acts as VCA; percussive accent if TRIG patched) |
| V/OCT | -3V to +7V (C0–C8, 1V/octave) |
Outputs are typical audio modular levels, ±5V (10Vpp), unipolar in models with percussive envelopes, per model.