Mutable Instruments — Plaits


Certainly! Here’s a concise cheat sheet for the Mutable Instruments Plaits Eurorack module, ideal for quick reference and performance.
Note: This is based on the content above, not an official PDF. Official Mutable Plaits manual PDF link


Mutable Instruments Plaits Cheat Sheet

Power


Front Panel Controls

Label Control Description
A Model Buttons & LEDs Select Synthesis Model (2 banks × 8 models; LEDs show selection)
B FREQUENCY Coarse tuning (default: 8 oct, adjustable to 14 semitones via settings)
C HARMONICS Model-dependent timbre (details vary)
D TIMBRE Model-dependent texture/detail control
E MORPH Model-dependent adjustment (often morph/pulse width)
F Attenuverters For TIMBRE, FM, MORPH CVs—set modulation depth; when unpatched, controls from env

I/O Jacks Reference

Jack Type Description & Range
MODEL CV Input Selects model. 0V to +5V (LEDs show current/CV)
HARM, TIMBRE, MORPH, FREQ CV Input Model parameter modulation, typically -5V to +5V, expect CV scaling varies by model
TRIG Input Gate/trigger (> 1.5V = trigger) – excites, envelopes, etc
LEVEL Input VCA/LPG/Accent (audio-rate OK); ~0V (closed) to +5V (open)
V/OCT Input Pitch CV, -3V to +7V for C0–C8 (1V/octave standard)
OUT Output Main audio output (10Vpp max typical, bipolar audio)
AUX Output Variant/sidekick/byproduct audio (10Vpp max typical)

Fast Usage Guide

  1. Patch Power & Audio: Connect power as instructed. Patch OUT (and AUX if desired) to mixer/VCA.
  2. Model Selection:
  3. Use upper/lower (A) buttons to select model/bank. LEDs will indicate which.
  4. Patch MODEL CV for voltage control (0–+5V). When triggered, only changes at next TRIG.
  5. Tuning:
  6. Set FREQUENCY (B). For fine range (14 semitones), hold 2nd button (A) and turn HARMONICS.
  7. Sound Shaping:
  8. HARMONICS / TIMBRE / MORPH knobs: Adjusted per model (see summary below).
  9. Modulate parameters via their CV ins, depth set by attenuverters (F).
  10. Pitch CV:
  11. Patch 1V/oct source to V/OCT.
  12. Percussive/LPG:
  13. TRIG fires an internal decay envelope/excites models, unless LEVEL is patched (then, LEVEL acts as VCA/Accent).

Settings (Hold Button A Combos)


Synthesis Models: Parameter Summary

Model HARMONICS TIMBRE MORPH AUX
Virtual Analog Detuning Pulse shape Saw notch width Hardsync sum waveform
Wavefolder Waveshaper curve Fold amount Asymmetry Alt wavefolder shape (Warps style)
FM Synthesis (2op) Ratio Mod. index Feedback/Chaos Suboscillator
Formants F1/FM2 ratio Formant freq Formant width/shape Filtered waveform type (filter morph)
Additive Spectral bumps Bump position Bump width/shape Hammond drawbars partials
Wavetable Bank (A-D) Row (brightness) Column (varied) 5-bit lo-fi output
Chords Chord type Inversion/transp. Waveform select Root note of chord
Speech Vowel/Word crossfade Species Phoneme/Word segment Pure vocal fold signal
Granular Cloud (Swarm) Pitch randomization Grain density Grain overlap/duration Sine grain variant
Filtered Noise LP↔BP↔HP morph Clock freq Filter resonance Dual BP filter, separation = HARM
Dust Noise Freq randomization Density Allpass↔BP morph Raw dust noise
Inharmonic String/Resonator Material/inhar. Brightness/density Decay time Exciter only (mini-Rings)
Kick Drum (Analog) Attack/OD Brightness Decay FM triangle drum synth
Snare Drum Harm↔Noise balance Drum mode balance Decay FM + noise-based snare
Hi-Hat (Analog) Metal↔Noise HPF cutoff Decay Ring-mod metal + clean VCA

Calibration & Firmware


Troubleshooting Highlights


Voltage Ranges

Input Range/Trigger
MODEL CV 0–5V (mod selects from full model set)
HARM, TIMBRE, MORPH, FREQ CV -5V to +5V typical, CV scaling varies
TRIG >1.5V for trigger
LEVEL 0–5V (acts as VCA; percussive accent if TRIG patched)
V/OCT -3V to +7V (C0–C8, 1V/octave)

Outputs are typical audio modular levels, ±5V (10Vpp), unipolar in models with percussive envelopes, per model.


Reference Links